Mavis Gallant’s “Orphans’ Progress” (1965)

2019-03-05T17:42:12-05:00

Language is important in “Orphans’ Progress”, specifically the relationship between English-speakers in Ontario and French-speakers in Quebec (predominantly Montreal, with a reference to Chicoutimi). It matters, immediately and lastingly, because the orphans, Cathie and Mildred, are the children of an English-Canadian man and a French-Canadian woman. Governor General's Award Winner

Mavis Gallant’s “Orphans’ Progress” (1965)2019-03-05T17:42:12-05:00

Mavis Gallant’s “Up North” (1959)

2019-02-25T17:36:56-05:00

In “Saturday”, the mother had dreamed a different kind of life for her daughters. In “Up North”, Dennis’ mother is dreaming of a different kind of life for herself. She’s on a train, north of Montreal, heading for Abitibi, Quebec. That’s where Dennis’ father is working in the bush.

Mavis Gallant’s “Up North” (1959)2019-02-25T17:36:56-05:00

Mavis Gallant’s “Saturday”

2019-02-23T19:39:07-05:00

The image of the father in this story, unable to sleep, counting his sons-in-law instead of sheep, makes me smile. The way that he matches his memory of their faces with the litany of names, his uncertainty about the fifth, his debates over which of them is married to

Mavis Gallant’s “Saturday”2019-02-23T19:39:07-05:00

Mavis Gallant’s “Thank You for the Lovely Tea” (1956)

2019-02-04T18:27:47-05:00

Ruth is equal parts infuriating and hurting. Like Karin, in Alice Munro’s “Rich as Stink”, these girls are angered and confused by the connections they observe between the adults in their lives. In “Thank You for the Lovely Tea”, readers meet Ruth when she is desperate to be out of

Mavis Gallant’s “Thank You for the Lovely Tea” (1956)2019-02-04T18:27:47-05:00

Mavis Gallant’s “Irina” (1974)

2020-06-02T12:00:51-04:00

We mean it kindly, when we say that a short story contains a novel. For many of us are novel-lovers, first or only, and, so, this seems a high compliment. What we are observing is how quickly an author can beckon us into the heart of a character, how

Mavis Gallant’s “Irina” (1974)2020-06-02T12:00:51-04:00
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