Alice Munro’s Something I’ve Been Meaning to Tell You (I) Toronto: Penguin, 1974. When I spotted the April issue of "Quill & Quire", I was pleased to see that it included Alexander MacLeod chatting about an Alice Munro short story; I’ve been reading and re-reading Alice Munro’s stories this year
Gordon j.h. Leeanders’ To Be Continued ECW Press, 2005 Read: Sitting at freshly-assembled dining-room table. Now we can seat 8 for a meal. Or one reader and one story collection. (It was a two-course read for me.) Warning: Even if you usually spread short story collections over time, you’ll be
Remember those book banners whose knickers were all twisted up over this collection? I bet this week’s stories, “Baptizing” and “Epilogue: The Photographer”, really got them going. Del has ::whispers:: met a boy. She’s still sorting out what that means. She’s still unsure what it means to be a boy.
Blindfolded, only hearing the prose, or seeing the opening lines pulled from the narrative, would you recognize these stories to be the work of Alice Munro based on the first few sentences alone? The opening of “Changes and Ceremonies”: Boys’ hate was dangerous, it was keen and bright, a miraculous
When I was browsing the library stacks the other day, looking for the next volume in Maya Angelou’s autobiography, I happened upon this: JoAnn McCaig’s Reading In: Alice Munro’s Archives. And isn’t that just how it happens? How stacks of library books get out of hand? But how could I
