Quarterly Stories: Summer 2016

2020-12-18T16:00:14-05:00

Jill Sexsmith's Somewhere a Long and Happy Life Probably Awaits You (ARP Books, 2016)   "Tulip stopped at the doorway. She had grown up with the whir of a mitre saw in the background, always cutting her thoughts and sentences and songs in half. Still, the sound of the blade

Quarterly Stories: Summer 20162020-12-18T16:00:14-05:00

Annie Proulx, In Interview with Jared Bland (IFOA)

2024-11-11T18:13:25-05:00

Appearing as part of Toronto Harbourfront's IFOA Weekly, Annie Proulx read from Barkskins in the Fleck Dance Theatre on June 17, 2016. Scribner, 2016 She began reading on the first page of the novel, her tone even and measured, but filled with expression when appropriate, particularly in dialogue. She captured the accent of

Annie Proulx, In Interview with Jared Bland (IFOA)2024-11-11T18:13:25-05:00

I Spy with My CanLit Eye: Two Classics

2015-10-28T15:32:01-04:00

Our young separatist narrator is imagining his own future and the future of Quebec, and both man and nation are struggling with matters of expression and independence, in Hubert Aquin's Next Episode (published in 1965, translated by Sheila Fischman in 2001). “I am the fragmented symbol of Quebec’s revolution, its

I Spy with My CanLit Eye: Two Classics2015-10-28T15:32:01-04:00

Alison Pick’s Between Gods (2014; 2015)

2017-07-24T15:06:25-04:00

She tells you straight-up: "The decision when to begin a family story is arbitrary." HarperPerennial, 2015 (US edition) And she lays out the doubts and uncertainties: "Who am I to claim the official version?" And, so, Alison Pick is our seemingly uncertain and unsanctioned guide. But, she also

Alison Pick’s Between Gods (2014; 2015)2017-07-24T15:06:25-04:00

Austin Clarke’s The Meeting Point (1967)

2015-10-06T10:02:44-04:00

The first volume of his Toronto trilogy introduces readers to Bernice Leach, who has left Barbados to work in Toronto as a housekeeper in an upscale neighbourhood in the 1960s. She has left behind a son and his father, as well as a mother and a sister, and she is

Austin Clarke’s The Meeting Point (1967)2015-10-06T10:02:44-04:00
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