Gone Girl, The Girl on the Train and, most recently, The Widow: girls make for good pageturners. But Gillian Flynn, Paula Hawkins and Fiona Barton are looking to tell different kinds of stories about girls. In a BookPage interview, Gillian Flynn tries to explain why Gone Girl captured "the popular
Is it too much? Or, just enough. What am I to make of this final story in my Alice Munro reading project. (I read her last collection, Dear Life, in 2012.) While rereading Too Much Happiness, I was constantly aware of the references to being happy, to happiness, in the
This year I have read some stand-out collections, but for the most part I neglected to take notes from them: Joy Williams' Honored Guests, Kathleen Winter's The Freedom in American Songs, Jessica Grant's Making Light of Tragedy, Shawn Syms' Nothing Looks Familiar, Elaine McCluskey's Hello, Sweetheart, Julia Leggett's Gone South and Other
Ater a year of new-new-new, January has been filled with the familiar, the known. It's not been about making new-shiny-library-residing friends, but about becoming better acquainted with long-time residents of my own bookshelves, remembering what drew particular authors onto my MRE (MustReadEverything) list and particular books onto my shelves. Have
Readers who were left with an abundance of questions after reading "Chance" might turn to "Soon" believing that some will be answered. McClelland & Stewart, 2004 But Juliet's reappearance holds no promises of resolution; there are just as many new musings unaddressed. Most prominent are the questions outwardly posed at
