Angie Adbou handles multiple narrative voices very well. Readers familiar with her earlier novels, The Bone Cage (2008) and The Canterbury Trail (2011) will know this, having inhabited narratives from varying perspectives. They will also know (as will readers of her 2006 collection of short stories, Anything Boys Can Do) that
As much as these stories focus on solitary characters who observe, from the margins, they long for something else; Walt and Mr. Jones are ultimately preoccupied with relationships. Goose Lane Editions, 2014 Margaret Sweatman's Mr. Jones openly confronts duplicity. "His life had been contrary, a series of duplications: two homes; a father who’d
Crimes of the past lurk beneath the stories in Ian Weir's Will Starling and Linden MacIntyre's Punishment and the main characters lurch towards and stumble into confrontations and altercations with life-long repercussions. Goose Lane Editions, 2014 These are both dark tales, but Ian Weir's novel is literally and figuratively so: "And
Cristina Henriquez’s The Book of Unknown Americans (2014) Bond Street Books - Random House, 2014 It’s risky, fragmenting narration into a large number of voices, but it’s the perfect format for a novel about the experiences of newcomers to the United States, who can have an astonishing variety
Although I always have a small stack of books underway, I have carried to extremes this act of multi-booking this summer. Yesterday I finished Michael Crummey’s new novel (Sweetland), Alison Wearing’s memoir (Confessions of a Fairy’s Daughter), Jan Zwicky’s poetry collection, the second volume in the Fruits Basket manga series,
