Just four weeks ago, I was commenting on the first story in From the Fifteenth District, a novella, and noting how many key elements of Mavis Gallant’s storytelling were present in “The Four Seasons”. In “The Latehomecomer”, not only do some familiar elements resurface, but an actual character reappears.
Shadow Giller review contents: In Short, a 300-word and spoiler-free summary, intended to have a broad appeal; In Detail, elaborating on one aspect of the book which I found remarkable (perhaps only interesting for others who have read the book or who have an interest more mechanical aspects of
If The Cat’s Table (2011) was a slow and steady unravelling of a young boy’s memories, yarn taut and tidy, Warlight is a mass of moth-eaten fragments, remnants of a finely-crafted woollen garment pulled from a trunk. A thing of beauty, yes, but the devastation is the first thing
"It is an attested fact that he was born in Mainz. Mainz is a place he passed through once, in a locked freight car when he was being transported through France with a convoy of prisoners." Willi and Ernst were prisoners of war together and in "Willi", Mavis Gallant's
In which I discuss some of the skinny volumes which have kept me company while on the move, while heavier volumes (like Steven Price's By Gaslight and Ami McKay's The Witches of New York) stayed home. The Selected Poetry of Ryszard Kapuściński is the first in the International Translation Series
