The collected letters of Flannery O’Connor, edited by Sally Fitzgerald, in The Habit of Being: they’ve been on my bookshelves for a couple of decades.
They date to the time when I gave less thought to the number of inches that a book required for storage. To the time when assembling books about classic writers was a reflex rather than a decision.
Nonetheless, in more recent years, when space and time have been front-of-mind, I’ve hung onto this volume.
Even though I’d never troubled to explore her fiction, simply a matter of other work appealing more, and had since learned of her devout and fervent Catholicism, which led me to wonder if her work would appeal less.
When I began my #WritingLife explorations this year, starting with Mary Flannery O’Connor seemed a random choice: why not select someone whose works I’d already read and admired, someone whose life I’d previously caught a glimpse of, on the page. The Habit of Being and its enduring positioning in my library transformed random into directed: Flannery O’Connor is a fine beginning.
But where I actually began, in the broader context of this beginning, was with her stories: A Good Man Is Hard to Find (1955). Laila mentioned that she was going to be reading it in January, and I like the idea of company, when I’m finally reading a longtime-shelfsitter. If I falter, a reading friend can urge me to continue turning pages.
How fortunate to have company here: these stories are immediately and wholly disorienting. (I’ll have more to say about these stories another time.) With just one story, it wasn’t enough to know whether the strange and disturbing tone was a reflection of the story or the writer; after the second stinging slap, I went straight for a peek into her biography, beginning with a documentary film: Uncommon Grace (2017) Directed by Bridget Kurt and Written by Daniel Kurt.
Viewers sink into the landscape, so that you can imagine the hayloft in “Good Country People”, for instance, and the outbuildings on the rural properties described in the other stories. Even the roaming peacocks and peahens – it all seems so ordinary. The combination of archival photographs with contemporary video makes it all seem more real and enduring. And the interviews with scholars and clergy who recognize the truths in her stories underscore the fact that her work has touched a variety of readers.
Also useful for its imagery is A Literary Guide to Flannery O’Connor’s Georgia (2008) by Sarah Gordon (Ed. Craig Amason and Photographs by Marcelina Martin). It’s probably my favourite in this stack: I love looking at colour photographs of the places where writers grew up and inhabited throughout their lives. Included here are Savannah, Milledgeville and Andalusia as well as sites connected to O’Connor’s religiosity and literary studies and ventures before she returned to the farm where she wrote and lived with her mother (that’s Andalusia). And one of her typewriters, too!
David O. Dowling’s A Delicate Aggression: Savagery and Survival in the Iowa Writers’ Workshop (2019) is a world away from this, but it brought out a delightful layer of Flannery Mary O’Connor as a young and hopeful writer. She originally went to Iowa to study journalism and anticipated putting her drawing skills (satirical cartoons, actually) to the test. Quickly, however, she recognized that she didn’t fit with that group.
There’s an oft-told tale about how she went to request that her enrollment be switched to the Writers’ Workshop, but her Southern – Georgia – accent was so thick that the Director asked her to write down her request so he could understand. Her time there also solidified her commitment to being known as Flannery rather than Mary. “Who was likely to buy the stories of an Irish washerwoman?” she joked.
More about this Irish washerwoman writer soon. Have you and she met previously?
I know very little about Flannery and her work. I’ve been curious to read “A Good Man” since reading AJ Fikry a few years ago. It was someone’s favourite story in that book, I think. But I’m always interested in learning about writers’ lives even if I’ve never read them!
How funny that you remember that from The Storied Life of A.J. Fikry. I don’t remember anything about the reading choices in there! I guess I thought I’d find her interesting “enough”, but I’m surprised to find her so very interesting, particularly the way in which she navigates society when she holds different opinions from others in the community but is aware of the importance of tradition/convention (i.e. when she chooses to stay quiet and when she speaks up).
I have never read Flannery O’connor and don’t really know if I would like her or not. I expect her short stories might be a good way in.
Her stories are a world away from Elizabeth Taylor’s, maybe a little more like Muriel Spark’s, if Spark was the sort of gal who liked peacocks and peahens.
I didn’t read O’Connor anywhere in school; it was considerably later that I read what I did. It’s slightly surprising we didn’t read her in high school–I went to a Catholic high school. (After that less so since I was mostly reading Greek & Latin.)
If she’s funny and insightful about the writing process that sounds very promising.
It does strike me as doubly strange then, but perhaps she was overshadowed by writers who lived longer/published more.
The letters are surprisingly enjoyable to my mind. There are a couple more specific collections in TPL that I might peruse.
I’m very embarrassed to admit that for years I stayed away from Flannery O’Connor because I’d read a book by her that I didn’t like at all. Then I discovered that the book I’d read and disliked years ago was actually by Flann O’Brien. So we are not very well acquainted, but I’d like to remedy that! Maybe I’ll start with A Good Man Is Hard to Find.
Hahaha – That’s actually quite an understandable misunderstanding; I can see how that’d happen. 🙂 Flann O’Brien is a writer I’ve always had a hard time situating in my mind, but I know that I have his At Swim Two Birds on my TBR (no others). It’s quite a hefty tome, though, and sometimes after a span of years has passed, it’s less likely that one makes time for a chunky novel like that. And as a regular traveller, I’m guessing you’re not often reading chunky books these days either!
I don’t think I’m keen to read any more BY O’Connor after “A Good Man” in college and Wise Blood last year … but I would gladly read more ABOUT her. We’ve chatted about the new auto/biography, and there’s also Ann Napolitano’s novel A Good Hard Look.
Yes, I can understand that position. I might, at some point, read her other published stories, but by now I’ve read a fair bit about her novels and I’m not sure I’ll read them. Thanks ever so much for the Napolitano rec – that slipped under my radar at the time and hasn’t surfaced in my recent searching but I’m very curious!
So the only Flannery O’Connor I’ve read is a picture book based on her-it was published by House of Anansi a few years ago, called The King of the Birds. It’s really quite cute.
https://ivereadthis.com/2017/01/31/ivereadthis-jr-edition-the-king-of-the-birds-by-acree-graham-macam/
That’s in my stack, too: I’ve had a peek and it’s quite delightful, but I’m saving a proper reading of it until I’ve finished the longer books in my mini-project. (BTW, your comment got shuttled to the dark and lonely folder which shall not be named – I was late rescuing it.)
no worries!!! It’s weird, I still can’t respond to your comments on your own blog thorugh my feed, and when I go to your site it says ‘not sure’ up in the web bar…technology will always confound me
It seems like some WordPress updates interfere with some replies to comments – and then are magically resolved and then reappear again – and that’s just weirdness that confounds me too! As for the message about my URL, that’s something to do with your security settings which are set to alert you when sites don’t have Security Certificates (and I don’t, because I’m not a commercial site so I don’t require that kind of data protection and it’s costly through my host to add it into my package). Not sure if that helps or only makes it worse. 😮
I’m definitely looking forward to your making a deep dive in Flannery O’Connor. I know her only a little bit, but like you I’ve had a few of her books on the shelves for years, and with some of the same uncertainty. The few stories of hers I have read are disorienting (probably in a good way!) and it will be interesting to see what you make of them going forward.
Given your studies in the U.S., I assume that you must have studied something of hers at school along the way? You might enjoy the documentary (available through TPL). Her voice as a letter-writer is strangely seductive; she often makes me chuckle aloud and the only reason I ever hesitate to pick up the volume (after I finally began reading it) is that it’s very heavy and the dust jacket slightly damaged – it’s quite enjoyable. (Perhaps less so if one is not interested in the intricacies of her writing process and habits.)